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The aim of this article is to propose a reading of Toni Morrison's Love through Jacques Lacan's theory. Love centers on the loveless relationships among Bill Cosey's family members. Bill Cosey was an influential rarity due to his wealth and benevolence.Christine and Heed are in the Imaginary order. In their minds, they belong to each other; however after Heed's marriage to Bill Cosey, Christine and Heed's love for each other turns into hatred. They violently attack each other and desire Bill Cosey competitively as the Other. Just before Heed's death, Christine and Heed enter the Symbolic order whereby they are able to resume their dialogue, analyze the past, and realize their mutual love. Bill Cosey and May have mental disorders. Bill Cosey exhibits the symptom of perversion. He has inappropriate sexual relationships with many women especially with Celestial, a prostitute, who turns out to be his real lover. His marriage to 11-year-old Heed brings about many troubles. According to Lacan's theory, Bill Cosey's hatred towards his father caused his abnormal behaviors. May has the symptom of paranoia. Her Other is also Bill Cosey, who disappoints her. She behaves pathologically to defend her hotel against imaginary enemies. L tries to prevent the Cosey women from breaking up. Recognizing that Bill Cosey intends to bequeath his whole estate to Celestial, L murders Cosey and fakes his will. In this way, L is able to let the Cosey women continue to desire Bill Cosey as the Other and reconcile before their last moments. Morrison examines L's work as love that heals and renews rather than love that seeks perfection.