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영어

This report considered representation of Tokyo that emerged in poetry of Kitahara Hakushu
at the end of 1900's. At first, I was able to touch thatI Kitahara Hakushu acquired the trend
of thought in the West end of the century when I learned it in translation of Ueda Bin and 'a
meeting of bread' and a method of the Impressionists, a viewpoint of exoticism. In addition, as
a characteristic of the times of the end of 1900's, a feature of the older Edo era could be
disgraced after Japan-Russia War on a day on a day and it was in the times when power
strengthened regulation other than the aspect that let you accelerate westernization in the press
and mentioned an aspect. With that in mind, I understood what I drew a morbid thing or a
thing of anti-modern times into in poetry with the latest manners and customs of Tokyo for
Kitahara Hakushu at the end of 1900's while can touch the poetry that I did on the stage of
"Dusk of a park" and Hibiya such as "Asakusa Park" and Asakusa and a park in the amusement center that said. While even many works of the same period did it on the stage of the amusement center of Tokyo or an urbane area, I was able to point out the same characteristic. Therefore it is transplant of conventional superficial West end of the century style, and it will be necessary to review evaluation not to be over the best of manners and customs poetry without depth. In other words Tokyo of the end of 1900's can be said to have shown it as space of a review in modern times by arresting you for a sick image for Kitahara Hakushu while drawing the latest manners and customs in a product abundantly.