원문정보
초록
영어
"Hashitukushi" is evaluated with a masterpiece in a number short piece having much of
Mishima with a work announced in December, 1956 by magazine "Bungeishunju". Night of
lunar calendar August 15, geisha Koyumi and Kanako and Mina of three people and a maid
of Masako of a restaurant go out for "hashitukushi" and ascetic practice of silence to say. A
wish is to come true when I pray for seven bridges for order with "hashitukushi" here. And it
is only Mina among four people that finished wish safely after all. I assigned a focus to
representation of unusual work structure and tried to lecture while thinking about relevance
with "Hashitukushi of a trace" of Chikamatsu of epigraph by this report. And "Hashitukushi"
paid attention to announced age and tried to investigate the important meaning that I chased
author Mishima who was able to go, and Mishima aimed at one turning point. In other words
"Hashitukushi" seems to confront "Hashitukushi of a trace" of epigraph. And opposition
structure of a work highlights tasteless phases of the times. It does a metaphor of disharmony
of dualism with the inside and the outside in a writer, and express unshapely reality; may ask
it it.
목차
一.はじめに
二.本 論
(一) エピグラフ「天の網島」と三島の「橋づくし」
(二) 作品構造の表象
(三) みなという表象
三.終わりに
<參考文獻>(前揭したものは除く)