원문정보
A Study on Baroque Characteristics Shown in Contemporary Fashion
초록
영어
Heinrich Wlflin, in his book Kunstgeschichtliche Grundbegriffe, categorizes every art form into two styles: one is classical art as an intellectual activity with the rule system based on reason, and the other is baroque art as intellectual activity with the intuitivexamines Wlflin's baroque formative art paradigm through architecture and analyzes fashion based on such formative principles.The results of the study show that in architecture, what is "pictorial" meant multiple visual forms concerned with diverse viewpoint of various impressions based on viewpoints. The sense of "depth" in baroque architecture was an expression of internal examination through the existence of projecting parts that cannot be detached from a main body. Such internal examination could be found in the multi-layered form of the strthe expression of a new sense of form. The "open form" of baroque architecture has the tendency to substitute a non-complete for a complete, an indefinite for a definite form. This resulted in the expression of incongruity, tension, and free impressions, and consequently, it was expressed in fashion nity" of baroque architecture deprived equally the independence of parts for the sake of stressing the overall theme. In fashion, such singular unity was expressed by nullifying the boundary of an overall design, a sense of overwhelming form due to excessive overlap and juxtaposition.gm shown in contemporary fashion were the proces of generation and change in form. The proces of constant change happening in contemporary fashion is therefore the process of self-innovation, in which the baroque formative paradigm offers visual, structural and stylistic changes that are rich and diverse.
목차
I. 서론
II. 바로크 양식을 드러내주는 조형패러다임들
1. 회화적인 것
2. 깊이감
3. 개방된 형태
4. 단일적 통일성
III. 패션에 나타난 바로크적 특성
1. 회화적인 것 - 시점에 따른 다양한 인상의 표현
2. 깊이감 - 내진성에 의한 새로운 형태감
3. 개방된 형태 - 열린 구조에 의한 비구축적 양식
4. 단일적 통일성 - 독립성의 균일한 박탈
IV. 결론
참고문헌