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『春雨物語』序文에 나타난 秋成의 創作意圖 考察

원문정보

『춘우물어』서문에 나타난 추성의 창작의도 고찰

南澈熙

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초록

영어

『HARUSAMEMONOGATARI』is a 10 short story series which was finished in 1808, and UEDA Akinari polished it out 1 year before he died in 1809. It was issued 30 years after『Ugetsumonogatari』, his masterpiece, was published in 1776.
『HARUSAMEMONOGATARI』reminds us『Ugetsumonogatari』as regard not only title but also style. However when it comes to the content,『Ugetsumonogatari』describes an illusive world, and『HARUSAMEMONOGATARI』is a work with realistic style. During those 30 years, UEDA Akinari hardly did his work as a novelist. on the other hand he made a reputation as a writer among ‘Kamigata’.
In those days, he debated with MOTOORI Norinaga on an essay of ‘Hinogami’ and a phonology of antiquity. And he concentrated on the study of Japanese classical literature. Furthermore, he threw away his manuscripts in an old well in 1807, since he couldn't stand valueless works. However it is irony that he continued to write and finished『HARUSAMEMONOGATARI』in 1808. So, this study looked into the purpose he wrote『HARUSAMEMONOGATARI』, and what his writing meant to UEDA Akinari himself. We can see his intention for creative writing in the introduction. In this study the author's creative intention and his ‘Monogatari view’ was examined. From this point of view, we can interpret the author's intention to an imitation of Monogatari type which was based on reality arisen by the author's knowledge and belief. That is not just an imitation of a pseudo classical style novel but Monogatari. We can say that UEDA
Akinari's intention to an imitation of Monogatari type was ‘Uhigoto’, because no writers did such works with that interpretation. Also,『HARUSAMEMONOGATARI』was written by his early perception. That is, Monogatari was worthless as ‘Soragoto’, and the value of Monogatari should be based on truth and be imparted to the descendants. Therefore, we can see that he expressed
『HARUSAMEMONOGATARI』indirectly as a form of Monogatari for his ideological intention.

목차

I. 序論(서론)
II. 本論(본론)
1. 序文에 나타난 創作意圖(창작의도)
2. 秋成의 物語觀(물어관)
III. 結論(결론)

저자정보

  • 南澈熙 남철희. 한국관광대학 겸임교수, 일본문학

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자료제공 : 네이버학술정보

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