영어
One of the ground problems in the sphere of Ethics is the topic of the Other. It is impossible to negate the otherness in the Other. For that reason, I approach this problem in the other route, i.e in the non-official angle of Ethics. On the general rule of research, we try to confront the problems of subject-object, or self-other theses. But I make use of some musical insight on order to make through out this dilemma. It would be impossible to get tide over the dichotomy, if we were locked in subject-object, or self-other theses. The basic frame of the socalled Counterpoint Ethics could be outlined as follows. 1. The history of as self-identity of the subject is a history of western Ontology which has been constructed in the system of Seat-name. The image of subject trying to eternalize the point in those areas could be mirrored as Psychology of mastery or Economics of conqueror in a kind of narcissism. 2. Above all, we should try to overthrow the permanent position of subject or self identity of the I, and turn our viewpoint from subject- centrism to pradicate-centrism in order to be free from this strong chain. We should get tide over the fallacy of eternal residance of subject by means of Change and Process. 3. Our knowledge apprehended as a process always take a sense-context which could be turned out as condition of hard life, or a throwness of life in the negative sense, or internal parole or spiritual growth in the positive sense. 4. ‘Stay and Go By’ as a reciprocal sense-context is a kind of a harmony made by consonanst/non-consonant. which is accomplished comprehensively through the dialectics of chaos- cosmos and concrescence-counteraction by using one's own sound. 5. ‘Stay and Go By’ as the process of one principle is self-organized through concrescence and counteraction. The process search for the dualism of ‘the few/small person’ as a ethical problem through a global network. Self and Other are ornaments of life which are reconciliated through mutual assistance and counteraction. As the harmonics dealing with chordal harmony and the counterpoint describing melodic contrast are two different expressions of music, contraposition between self and other is nothing but an appearance of life from a view point of counterpoint ethics. Self-identification of an objective who wants to reach the point of God, but finally is erring around nonpoint should be approved along with God or neighbors by being crucified. And it should be literally heard as becoming through the harmony of counteraction by way of making his own sound of that ‘the few/small person’
