원문정보
초록
영어
This study investigates how the integration of Chinese and Western cultures influenced the design of interior furniture used by modern Chinese literati. Focusing on representative literati residences, it systematically analyzes transformations in furniture typologies, styles, materials, and spatial layouts during the modernization period (1840-1949). Employing interdisciplinary methods-including case analysis and material culture research-the study reveals how literati selectively inherited traditional aesthetics while embracing Western functionalism. The findings highlight the dual role of cultural heritage and innovation, showing how furniture became a medium for expressing evolving identities and social values. Distinct from prior research, this study contributes a new analytical framework that emphasizes cultural semantics over formalism and demonstrates the authors' unique contribution in reconstructing a design history shaped by cross-cultural synthesis. The results offer both theoretical insights and practical references for contemporary designers navigating between tradition and modernity.
목차
1. INTRODUCTION
1.1 Research Background and Necessity
1.2 Research Scope and Methods
1.3 Gaps in Previous Research
1.4 Research Contribution and Originality
2. TYPOLOGIES AND SPATIAL TRANSFORMATIONS
2.1 Living Room Furniture
2.2 Study Furniture
2.3 Bedroom Furniture
2.4 Living Room Spatial Layout
2.5 Study Spatial Layout
2.6 Bedroom Spatial Layout
3. STYLE, SYMBOLISM AND DECORATIVE LOGIC
3.1 Decorative Motifs
3.2 Decorative Themes
4. MATERIAL INNOVATION AND PRODUCTION METHODS
4.1 Glass Materials
4.2 Upholstery Materials
4.3 Adhesive Materials
4.4 Metallic Materials
4.5 Woodworking Craftsmanship
4.6 Finishing Techniques
4.7 Inlay Craftsmanship
5. CULTURAL INTEGRATION AND DESIGN IDENTITY
5.1 Inheritance of Chinese Tradition
5.2 Incorporation of Western Culture
5.3 Comparative Insights into Western Design Evolution
6. DISCUSSION
CONCLUSION
REFERENCES