earticle

영어

This study examines how Churchill’s Cloud Nine dismantles the traditional heroic narrative and reimagines it through the framework of the collective narrative. Drawing on narrative theory, feminist criticism, and Denborough’s collective narrative practice, the analysis situates Churchill’s play within a broader critique of patriarchal storytelling. Act I reconstructs the hero’s journey through Clive and the codes of imperial adventure, while Act II disperses agency across multiple characters in a polyphonic structure. Key scenes demonstrate this transformation: the ritual offering to the goddess replaces individual pursuit with shared ceremony; Betty’s act of bodily self-acceptance grounds communal recognition in personal autonomy; and the purchase of a communal household institutionalizes collective life beyond patriarchal order. Together, these moments exemplify how Cloud Nine enacts the emergence of collective narrative. The study argues that Churchill’s dramaturgy not only disrupts the linearity and closure of heroic form but also experiments with “unnatural narratives” that privilege multiplicity and co-authorship. By emphasizing relationality over mastery, Cloud Nine offers a feminist alternative and redefines narrative as a practice of plurality, vulnerability, and shared transformation.