earticle

영어

This paper discusses the calligraphy written by Chikashi Fujitsuka, based on a paper written by Fujitsuka. In addition to his research, he wrote calligraphy and presented it to his acquaintances and relatives. This calligraphy is one of them. The source of this calligraphy is a poem written by a Korean intellectual, Yoo Deukgong: “After the raven leaves the old tree and the setting sun, the guest comes for the first time.” It is assumed that this calligraphy was written in Maesawa, Oshu City, Iwate Prefecture, Fujitsuka's birthplace, in the fall of 1945. In a paper published in 1941, He wrote that the Qing dynasty painter Zhu Henian had painted the poem on a fan (1810) and presented it to Kim Jeonhui, and that about 20 years later, Kim Jeonhui, who was inspired by the painting, had written the poem on a line of calligraphy and presented it to Zhu Henian. He also noted that the two persons deepened their friendship through the medium of a single poem. Fujitsuka also considered that the fact that the poem was about “an old tree and a cold raven(古木寒鴉),” a favorite subject in China since ancient times, was also a factor that made it sympathetic to the poem. Thus, Fujitsuka wrote the poem as a tribute to the exchange between Zhu Henian and Kim Jeonhui through their calligraphy and paintings. At the same time, it was an act of healing and finding hope for himself, as he had lost so much in the war and was heartbroken.

일본어

本稿は藤塚鄰が揮毫した行書<古木崢嶸七言詩>について、藤塚の執筆した論 文をもとに考察したものだ。藤塚は日本統治時代15年間、京城帝国大学法文学 部で教鞭をとり、金正喜の研究を行った漢学者だが、研究の傍ら書を揮毫し知 人や親族に贈った。本軸はそのひとつで、出典は朝鮮の文人･柳得恭が詠んだ 「古木崢嶸にして鴉去りし後、夕日迢遰にして客初めて来たる(古木崢嶸鴉去 後、夕陽迢遰客來初)」という詩情豊かな七言詩である。本軸は1945年秋頃、藤塚 の生家である岩手県奥州市前沢で揮毫したものと推測できる。藤塚は1941年に 発表した論文で、清代の画家･朱鶴年が同詩を扇面＜柳得恭詩意図＞(1810)に描 いて金正喜に贈り、その約20年後に、同画に共鳴した金正喜が、同詩を行書＜涵 秋閣行書対聯＞にして朱鶴年に贈ったことを挙げ、二人がひとつの詩を媒介に 友好を深めたことを明らかにした。また、藤塚は、同詩が「古木寒鴉」という中国 で古くから好まれてきた題材であったことも、共感をもたらした要因であると 考察した。このように、藤塚が同詩を揮毫した背景にあるのは、朱鶴年と金正喜 の書画交流に対するオマージュであり、同時に敗戦によって多くを失い傷心し た彼が、自らを癒し希望を見い出す行為であったと言える。