earticle

영어

For the purposes of this study, the texts under consideration are the first edition of Banno by Yim Jae-man published in 1969, the revised edition published in 1976, and the complete edition published in 1995. Originally, 􋺷Banno􋺸 was a short story included in the novel collection 􋺷Banno􋺸, but it was later revised into a full-length novel and published as a paperback, so for convenience, I will refer to it as 􋺷Banno􋺸 rather than 􋺷Banno􋺸. The purpose of this paper is to examine the ‘obscene ideology’ that dominated the 1960s and 70s, and the censorship of books, and to explore the differences between the original and the adapted works, in order to understand how these periods influenced the author and his works. Yeom Jae-man was born in 1934 in Eumseong, Chungcheongbuk-do, and graduated from the Department of Creative Writing at Seorabal University of the Arts. His novel Banno was recommended by novelist Ahn Soo-gil in 1969, and he began his career as a writer. However, Banno was prosecuted in July of the same year for “manufacturing obscene documents,” and although he was acquitted after a six-year and five-month trial, he was once again frustrated by the changed publishing system, which required him to obtain a lead copy certificate through pre-screening censorship before publication. However, Yeom published a revised version of the book, correcting and supplementing what he considered to be deficiencies in the original. Yin's Banno became famous through this handwriting incident, and the work itself is rarely evaluated. In fact, prior research on “Banno” has concentrated on the handwriting incident, with only a few studies on female characters. The existing studies of Kim Hyung-jung and Cho Sung-myeon focus on the obscenity controversy caused by Banno rather than the work itself. In particular, Kim Hyung-jung examines the position of Yeom Jae-man’s Banno through the medical and population issues of the time, and Cho Sung-myeon examines the social background of the time when Banno itself became obscene. Jang Doo-sik’s study examines the femme fatale through the character of Honga in Banno’s work. This study goes a little further than these existing studies and examines the changes in the artist and the work by comparing the original and the adaptation. In fact, 􋺷Banno􋺸 has been underestimated in existing studies. In particular, the original is a mysterious and ambiguous narrative in which two men and women meet for no reason and make animalistic love, leading to their destruction, leaving room for various interpretations. The purpose of this study is to show that although it became famous for the ‘Pilhwa Incident’, it was a work of literary achievement in its own right.

한국어

이 연구는 염재만의 『반노』를 통해 1960-70년대를 지배하고 있던 ‘음 란 이데올로기’, 그리고 도서 검열 등에 대해 살펴보며, 이로 인해 원본과 개작된 작품의 차이점에 대해 살펴봄으로써 이러한 시대 배경이 작가와 작품에 어떤 영향을 미치고 있는지를 알아보고자 하는 데 목적이 있다. 염재만의 『반노』는 이러한 필화사건을 통해 유명해졌고, 작품 자체에 대한 평가는 거의 이루어지고 있지 않은 실정이다. 실제로 『반노』에 대한 사전 연구는 필화사건에 집중되어 있으며, 여성 인물에 대한 연구 등에 불과하다. 이 연구는 이러한 기존의 연구에서 조금 더 나아가 원본과 개작본을 비교함으로써 작가와 작품의 변화양상을 살펴보고자 한다. 사실 『반노』 는 기존의 연구에서 과소평가 되었다고 볼 수 있다. 특히 원본은 아무 이유 없이 두 남녀가 만나 동물적인 사랑을 나누고, 파멸에 이르는 신비 하고 모호한 서사로 인해 다양한 해석의 여지를 남기고 있다. 비록 ‘필화 사건’으로 유명해졌지만, 작품 자체의 문학적 성취도 충분히 이루었던 작품이라는 것을 말하고자 하는 것이 이 연구의 본질적인 목적이다.