earticle

영어

The results of having analysed organization of dancers and changes in Jeongjae on the basis of holgies, including Koryosa(高麗史) Akji(樂志), Akhak Gwebeom(樂學軌範), JeongjaeMudoholgi(呈才舞圖笏記), etc. are as follows:An review of organization of dancers based on approximately fifty Jeongjaes in literature indicates six forms of organization such as symmetrical concerted dancing, Seonmo(仙母)-Hudae(後隊), symmetrical concerted dancing-Hudae, seonmo-symmetrical concerted dancing, solo dancing, and Seonmo-symmetical concerted dancing, and Hudae. Changes in the organization of dancers in court Jeongjae points out variation of the number of dancers and transfiguration of the organization system of dancers. Both in Koryo dynasty era and early in the Yi dynasty the organization principally consisted of symmetrical concerted dancing and Seonmo-symmetrical concerted dancing. Late in the Yi dynasty emerged a new organization system of solo dancing and Seonmo-Hudae, symmetrical concerted dancing-Hudae, Seonmo-Symmetrical concerted dancing and Hudae. These changes show three kinds of phases a change in the organization system of dancers, a new system, and variation of the number of dancers. Variation of the number of dancers brought about a change in the organization system of dancers. Jeongjaes in which the organization system of dancers changed include Yeonhwadaemu(蓮花臺舞), Mugo(舞鼓), Muaemu(無㝵舞), Choihwamu (催花舞) and so forth, which indicates that not merely changes in the number of dancers but also the roles of dancers changed.Furthermore, changes in the number of dancers in Jeongjae are principally shown in Jeongjaes that consisted of symmetrical concerted dancing. In Gainjeonmokdan(佳人剪牧丹), Seonyurak(船遊樂), Pogurak(抛毬樂), etc. the number of dancers increases or decreases even in the same Jeongjae, while Choihwamu totally changes its organization system from a Seonmo-Symmetrical concerted formation to a symmetrical concerted one.
Changes in the organization system of dancers connote that the number of dancers is not the fixed idea of constituting a Jeongjae but awakens us to the facts that it can change at any time and that changes in Jeongjae are justified at all times. If Jeongjae does maintain originality even in its basic system, how far on earth do changes in Jeongjae extend? It is true that Jeongjae has always changed, irrespective of its variation of the number of dancers. Changes in Jeongjae by different Yeoryeong Jeongjaes may be said to be reasonable depending upon its eras or Yeonhyangs. However, among changes in the contents of Jeongjae, above all changes in the organization system of dancers remain to be followed up.