원문정보
A Study on Designed Architectural and Landscaping Characteristics of Vincent Van Gogh’s Landscape Paintings
초록
영어
This study is an architectural and landscaping analysis view to rural landscape paintings painted by Vincent van Gogh in the late 19th century. The purpose of this research is to discover the expressive techniques of Western art that Van Gogh's landscape paintings have, and to understand the characteristics of the architectural object in his landscape paintings from February 1888 to April 1889 in Arles, southern France. The method of this study is to analyze the landscape paintings of Van Gogh painted during 15 months in Arles. Among the total paintings in Arles, 47% of the paintings he made were landscapes. The following conclusions have three views. First, Vincent van Gogh was born into a Protestant family in the Netherlands and become an artist in his late twenties. While living in Arles, he painted prolific landscapes. Farming, farmers, and rural area related to normal living are the main subjects of paintings. It can be seen as showing the view that everyday life is sublime and should be included as a unitary value. Second, Gogh's rural landscape paintings were painted with linear and aerial perspective with other the expressive techniques, and plane painting structure that leads to two dimension. Third, from an architectural point of view, Van Gogh's paintings depicted simple vernacular architecture such as traditional rural house, mas, thatched houses, and mills in southern France. This means the normal value of the rural landscape through the eyes of the painter.
목차
1. 서론
1.1 연구의 배경 및 목적
1.2 연구의 범위와 방법
2. 빈센트 반 고흐의 생애와 농촌풍경에 관한 애착
2.1 고흐의 성장배경과 화가의 길
2.2 고흐 풍경화의 의미
3. 빈센트 반 고흐의 풍경화 화면구도 수법
3.1 고흐의 공간표현수법
3.2 고흐의 풍경화에 대한 구도적 특징
3.3 화면의 배경(ground)과 그림(picture)의 구성 특징
3.4 고흐의 풍경화에 나타난 남프랑스 건축의 특징
4. 결론
참고문헌