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This article asks whether “principled negotiation” as explained by William Ury and Roger Fischer in their classic book Getting to Yes is possible in the context of negotiations between the United States and North Korea. Answering this question leads to a description of two competing schools of interpretation among American analysts trying to explain why negotiations since the end of the Cold War have failed genres. In the end, however, it seems impossible to judge which of these schools—the comedic and the tragic—is correct. Instead, the article concludes by proposing two principles of interpretation—indeterminacy and entanglement—in place of the two.
목차
Abstract
Escaping the Tragicomedy: Is Principled Negotiation between the United States and North Korea Possible?
Listening for the Language of Getting to Yes
Two Ways to Read Failure
The Comedians
The Tragedians
Stockholm Syndrome
Beyond Comedy and Tragedy: Indeterminacy and Entanglement
Further Readings
Escaping the Tragicomedy: Is Principled Negotiation between the United States and North Korea Possible?
Listening for the Language of Getting to Yes
Two Ways to Read Failure
The Comedians
The Tragedians
Stockholm Syndrome
Beyond Comedy and Tragedy: Indeterminacy and Entanglement
Further Readings
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자료제공 : 네이버학술정보