earticle

영어

While witnessing the rise and fall of the Tang Dynasty, Du FU(a Chinese classical poet) has focused on reflecting the evils and popularity of society through a vast volume of 1,400 poems. His poetry is well-known as "poetic history" for its the characteristics of the times and sociality. His impassioned creative style with realism stems from his origins. His lifelong underappreciated talent and unfortunate fate are reflected in his lifelong practice of Confucian ideas to constantly improve his personality. In the late Joseon Dynasty, Hong Se-tae, who established the literature hall of Yeohang writers, was also able to observe the times with a critical eye because of all the fortunes and misfortunes he experienced while constantly attempting to rise in status of jung-in(Middle Echelon in Chosen). Du FU and Hong se-tae, The batch comparison of the two poets secures the contact point in the above-described aspect. Hong se-tae, In his later years, his creations were mainly lyrical. Compared with the change in his creative style, it is better to say that this change is a manifestation of his hatred and renunciation of this life. At the same time, the deep reason why he chose to inherit Du Fu's poetry was that Du Fu was good at creating a style of tragic creation in the external environment. From an emotional point of view, the style represented by Du Fu is depression and frustration in artistic conception. The difference is that he pays attention to expressing his emotions in a controlled manner on the level of self-expression(wigok), the true feelings in the natural environment(dioramic), and the expression of grief and anger. This research discusses Hong se-tae’s later poems from the above context. From the perspective of artistic conception, he examines the actual cases of Du Fu's poems for reference.

한국어

두보는 唐의 盛衰를 목격하면서 1400여 수에 달하는 방대한 분량의 시를 통해 사회의 병폐상황과 民苦를 반영하였는데 이러한 현실 비판 적 창작경향과 悲憤慷慨한 詩風은 그의 인생역정과 불가분하다. 아울러 그의 不遇와 不幸은 유교 교리의 踐行을 통한 人格의 도야를 더욱 강화 시켰다. 두보와 洪世泰의 접점과 비교연구는 여기에서 가능할 것이다. 조선후기 閭巷문인의 문학관을 정립시킨 洪世泰가 비판적 안목으로 시 대상을 관조할 수 있었던 것도 그가 겪었던 不運과 不幸과 불가분하다. 물론 이는 中人이라는 신분 앞에서 끊임없이 신분상승을 욕망하는 과 정의 소산이었다. 아울러 洪世泰는 晩年에 창작에서 主情의 吐露에 더 치우치게 되는데, 이는 ‘부질없는 일생’에 대한 恨과 諦念에서 기인되었 겠다. 또 그가 杜詩風에 집착한 것은, 杜甫가 悲劇적인 정감을 근간으 로 한 진실한 抒情에 능했기 때문이다. 주지하다시피 “沈鬱頓挫”로 대 표되는 杜詩의 풍격은 意境면에서 委曲, 實境, 悲慨로 분류되는데, 본고 는 洪世泰의 後期시를 중심으로 杜詩에 대한 準用을 논하면서 洪世泰 後期시의 텍스트맥락을 좀 더 가까이 살펴보고자 한다.