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This paper studies the intertextuality between painting and poetry through an examination of two works by Jean-Francois Millet and Markham. EMarkham wrote a poem inspired by Millet's “The Man with the Hoe”. Millet did not use traditional painting techniques to convey his message of social criticism. Likewise, Markham did not follow traditional poetry rules and voiced strong social criticism using alliteration, consonance, rhetorical questions, anaphora etc. Like Millet through his painting, Markham emphasized humanity in his work. In conclusion, Markham correctly identified the language text delivered by Millet’s work and recreated it as his own text. Poetry and art only differ in their methods of expression, but they clearly exist in intertextuality. It is considered that poetry and painting are transitive and intertextual.