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발렌티노 패션쇼메이크업에 나타난 조형원리적 특성에 관한 고찰

원문정보

A Study on the Formative Principle Characteristics of Valentino Fashion Show Makeup

박정신

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초록

영어

The purpose of this study is to discuss the methodology of creative activities of various fashion show make-up by understanding the formative principles based on formative elements. The research method was combined with theoretical and empirical studies. The scope of the study was limited to the make-up that appeared in the Valentino fashion show from the 2020 S/S to the 2022 F/W by Ready to Wear. As a result of the study, 20S/S fashion show makeup shows the principle of balanced symmetry and emphasis using the texture elements of gold color and pearl and the elements of line. and The fashion show makeup of 20F/W showed the principle of balanced symmetry and emphasis using strong image black color and sharp shipping formative elements. The formative elements used in fashion showmake-up of 21S/S visualized sharp shipping elements as formative principles of balance, symmetry and emphasis. and The fashion show make-up of 21F/W shows formative characteristics as the principle of emphasis along with the principle of balance and symmetry of the elements of face and line. The fashion showmake-up of 22S/S is designed to express sporty sensual beauty as the principle of emphasizing the balance symmetry and the toughness of blackish color. The fashion show makeup of 22F/W gives visual harmony as the principle of emphasis using elements of color and the principle of balanced symmetry.

중국어

本研究旨在于以造型要素为参考理解造型原理,探究多种时装秀化妆创作活动的方法论。研究方法为理论研究和实证研究相结合,研究范围仅限于Ready 2 Wear从2020年S/S到2022年F/W的Valentino时装秀上出现的妆容。研究结果显示,20S/S的时装秀妆容运用金色和软毛质感要素以及线条要素的均衡正对称和突显原理;20F/W的时装秀妆容运用具有强势观感的黑色和锋利的线型造型要素的均衡对称原理和突显原理;21S/S的时装秀妆容中使用的造型要素将尖锐的线型要素以均衡、对称、突显原理进行视觉化;21F/W的时装秀妆容将面和线条要素以均衡、对称、强调原理展现其造型特征;22S/S的时装秀妆容以均衡、对称和突显黑色强韧的原理,呈现出运动观感美;22F/W的时装秀妆容是运用色彩要素的强调原理、均衡、对称原理,提供视觉上的均衡与协调。

목차

Abstract
I. 서론
II. 이론적 배경
1. 발렌티노의 미적특성
2. 조형의 원리
III. 연구내용 및 범위
IV. 결과 및 고찰
1. 2020년 S/S의 발렌티노 패션쇼 메이크업에 나타난 조형원리의 특성
2. 2020년 F/W의 발렌티노 패션쇼메이크업에 나타난 조형원리의 특성
3. 2021년 S/S의 발렌티노 패션쇼메이크업에 나타난 조형원리의 특성
4. 2021년 F/W의 패션쇼메이크업에 나타난 조형원리의 특성
5. 2022년 S/S의 패션쇼메이크업에 나타난 조형원리의 특성
6. 2022년 F/W의 패션쇼메이크업에 나타난 조형원리의 특성
V. 결론
참고문헌
中文摘要

저자정보

  • 박정신 Park Jeong Shin. 중부대학교 뷰티케어학전공 부교수

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