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영어

This paper is an addendum to the previous manuscript, “A study on the manuscripts of Jippensya-ikkuⅡ who escaped Edo,” which looks over the writing activities of Itoi’s later years after leaving Edo in 1837, and discusses the situation up to the situation where his name is stripped. Itoi published a number of Gesaku works in Edo that signed “Jippensha Ikku” until January 1837, but even during his stay in the countryside after he went missing due to a writing incident, he wrote letters and annotations, Gokan and Ninzyobon manuscripts. He kept having a will to create, and in 1840 and 1841 he wrote a manuscript full of local colors while being a nomadic body. Especially in the Gokan, he wanted to publish with Kunisada and Kuniyoshi as the painters and Sengakudo and Kinrindo as the publishers, but it didn’t come true. The Gokan “Ikkyuzenzisenchyanokuchitori”, drawn by Utagawanaochuna and published by Kinkoudo, containing the story of children’s wisdom, was published in 1842. However, it was no longer possible to return to official writing activities. In this way, Itoi was able to get a glimpse of his later years, which can be traced as “Ikku,” that he lived in his hometown and Owari with assistance. While staying in a rural area away from Edo in this way, from writings including Itoi’s drafts that he wrote down, to those that aimed to be published until 1842 and private ones, despite the bad situation, I was able to confirm that it was known as “Jippensha Ikku”.Then, while the situation of being unable to return to Edo continued, Santai-syunba took over the Ikku’s name in place of Itoi in November 1844 by the Jippensya disciples, who had been waiting for eight years.