earticle

영어

Porcelain carving is a traditional Chinese ceramic decoration technique. It is the creation of calligraphy, painting and seal cutting on the surface of fired porcelain with tools. It’s biggest feature is that it can not only retain the style of calligraphy and painting on porcelain, but also effectively combine the characteristics of clay and glaze, so that the decorative patterns have a strong sense of three-dimensional and hierarchy. Although the porcelain carving technique is a traditional technique in China, it is not known in the Korean ceramic industry. This paper aims to expand the field of modern ceramic art by introducing China's porcelain carving techniques. Based on the field investigation and research of Zibo porcelain carving technology, this paper understands the tool characteristics, knife method and process flow of portrait porcelain carving. This study focuses on the development background of porcelain carving techniques and the detailed production process of portrait porcelain carving. According to historical records, porcelain carving sprouted in the Song and Yuan Dynasties and really developed into the art of porcelain carving in the Ming and Qing Dynasties. Carved porcelain was very popular during the Guangxu period and the Republic of China, and then gradually evolved into an art form and carrier. On the basis of porcelain carving technology, this paper introduces three ceramic artists, who inherited the porcelain carving tradition and made innovations. The results of this study are a useful supplement to the study of the evolution of modern expression in the face of new tradition, and promote a new understanding of ceramic surface decoration.

중국어

刻瓷是中国传统的陶瓷装饰技法，是用工具在烧制成型的瓷器表面进行书法、绘画和篆刻的创作。 其最 大的特点是不仅可以在瓷器上保留书画风格，并且有效结合利用泥料与釉面的特色，创造出装饰的效果，并 具有使图案表现出鲜明的立体感和层次感的优点。 另外，虽然它是中国的传统技法，但刻瓷技法在韩国陶艺界中并不为人所知，通过本文介绍了中国的刻瓷 技法，旨在拓展现代陶艺领域视野。 本文从淄博刻瓷工艺的实地调查和研究出发，了解肖像刻瓷的工具特点和刀法及工艺流程。研究的重点是 刻瓷技法的发展背景和肖像刻瓷的详细制作过程。 据史书记载， 刻瓷萌芽于宋元时期，在明清时代真正发 展成为刻瓷艺术，刻瓷在光绪年间以及民国时期十分流行，后来逐渐演变为一种艺术形式以及载体。在刻瓷 技术的基础之上，本文介绍了三位陶瓷艺术家，他们继承了刻瓷传统并进行了创新。本研究的结果，是对新 传统面对现代表达方式应如何演变的有益补充，并且促进陶瓷表面装饰的新理解。