초록
영어
Amidst of liturgical music, psalm-singing or psalmody has a long tradition, not to mention synagogue service at the time of Jesus. This paper explores how the liturgical psalm-singing has been played in worship, thereby interacting with people’s real lives. With theological reflection on music and worship in the early church, this paper examines the appearance of psalmody in the church, observing how the church played it and how the way of singing psalms has been transmitted in the Protestant tradition, from the perspective of full, active, and conscious participation in liturgy. In conclusion, therefore, the issue from the early church is revisited: how we make liturgical music sacred― neither secular nor profane, hence achieving “full, active, and conscious participation in liturgy.”
목차
II. Music and Worship in the Early Church : Two Major Concerns
1. Rejection of Music Instruments in Worship: Against Pagan Antiquity
2. Approval of Songs in Unison: Solidarity in the Body of Christ
III. The Rise and Function of Liturgical Psalm-singing in the Early Church
1. Responsorial Psalmody in Liturgy
2. The Function of Music: To Serve the Meaning of Words and Inspire “Weaker Spirits”
IV. The Protestant Reformation and Congregational Singing: Hymnody and Psalter
1. Luther and German Mass (1526): Hymn-singing
2. Calvin and The Geneva Psalter (1562): Psalm with metrical singing
V. Conclusion: Musical Setting of Liturgical Psalm-singing in Worship
Bibliography
Abstract