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논문검색

Research Article

Study on the Characteristics and Production Techniques of the Clay Seated Vairocana Buddha Triad of Seonunsa Temple, Gochang(2) - Analysis of Gold Leaf Layers and Internal Structure of the Clay Buddha Statues

초록

영어

In this study, a scientific analysis of the gold leaf layers and internal structure of the Clay Seated Vairocana Buddha Triad in Seonunsa Temple, Gochang (Treasure No. 1752) was conducted. The surface of the Buddha statues is a gold foil, and the gold leaf layer consists of four layers. The gold leaf layer first composed on the molding clay was produced in the order of lacquer-fabrics-lacquer-gold foil. Subsequently, it was confirmed that the work was performed three times in the same way. The composition of the Buddha statues was divided into the head, body or upper body, lower body, and pedestal. The body was made in a cylindrical form by connecting vertically oriented wooden materials, and the head and lower body were also connected to the body in an empty form. Thus, the head, body, and lower body are grafted structures that are connected to a single Bokjang-gong. It was confirmed that the Clay Seated Vairocana Buddha Triad in Seonunsa Temple was made using wood materials for the basic form, after which the detailed form was created with molding clay, and the surface was finished with a process of layering gold foil and substances presumed to be lacquer.

목차

ABSTRACT
1. INTRODUCTION
2. METHOD
2.1. Analysis target and content
2.2. Analysis of the gold leaf layer
2.3. Radiographic analysis
3. RESULTS
3.1. Gold leaf layer
3.2. Radiographic
4. CONCLUSION AND DISCUSSION
REFERENCES

저자정보

  • Hwa Soo Lee Department of Formative Arts, Konkuk University, Chungju 27478, Korea
  • Seol Hui Kim Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage, Daejeon 34122, Korea
  • Won Woo Kim Georim Cultural Properties, Jeonju 55024, Korea
  • Yeong Gyeong Yu Department of Fine Arts, Graduate School of Konkuk University, Chungju 27478, Korea
  • Kyeong Soon Han Institute of Conservation of Paintings, Konkuk University, Chungju 27478, Korea

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