earticle

영어

Rem Koolhaas examines the uncertainty principle of Heisenberg and the cinematic features examined by Deleuze, emphasizing Manhattanism that embraces uncertainty to solve the problems of the fast-changing modern metropolis. For the purpose of this thesis, we wanted to examine the urban contextual features of the multi-movement system in the architecture of Koolhaas. The uncertainty shown in Koolhaas' urban planning is presented in the form of a similar 'Band' in the light spectrum of modern science and the cinematic form and feature of Deleuz. The band of Koolhaas is directly in contact with urban contextual elements, which appear as surrounding buildings, roads, natural scenery, embankments, parks, historical sections, landmarks, etc. At this time, the band in architecture flows into the interior of the architecture and forms a three-dimensional movement system that is exchanged and converted with each other. For this study only, urban contextual categories according to multi-movement systems analyzed through examples appear as the size of the parcel, the purpose of the program, the surrounding buildings, lighting, and landmarks. Conclusion The multi-movement system of Koolhaas can be interpreted as an attempt to explore the possibility of new architecture and potential coexistence of cities by generating continuous events and allowing architecture to look at one new public urban landscape.