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논문검색

공연예술로서 무용의 복수적 지위가 갖는 철학적 함의 : 맥피(G. McFee)의 ‘type’과 ‘token’에 관한 논의를 중심으로

원문정보

The Philosophical Implication of the Multiple Status of Dance as Performing Arts : Focused on a Discussion of G. McFee’s ‘Type’ & ‘Token’

한지희

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초록

영어

The purpose of this study is to find a way to achieve the identity and originality of performance in dance. The technical device G. McFee uses is a distinction between types and tokens. This type/token language provides us with a clear way of talking about works that are multiples. The way in which performances relate to works is through ‘interpretation.’ The performer's interpretation achieves the identity and originality of the performance by limiting the aspect of the performance and associating the token with the type.

목차

Ⅰ. 서론
Ⅱ. 무용의 복수성과 정체성
Ⅲ. 타입 vs 토큰
Ⅳ. 동일성에서 독창성으로
참고문헌
Abstract

저자정보

  • 한지희 Jihee Han. 한국예술종합학교 무용원 강사

참고문헌

자료제공 : 네이버학술정보

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