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논문검색

글로컬 문화콘텐츠로서의 무라카미 하루키 문학 -2000년 이전을 중심으로-

원문정보

Murakami Haruki’s Literature as Global Cultural Contents - Focusing on his literary work before the year 2000 -

조주희

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초록

영어

In this study, it was argued that the reason for acceptance of the works of Murakami Haruki by global readers was because his novels had been consumed as global cultural contents, and to substantiate this, the commonalities between the characteristics of subculture at each era and his novels before the year 2000 were elucidated. Of course, this study does not assert that Murakami Haruki has become a world-class novelist only with such subcultural elements, ignoring the subjects and quality of his novels. He has covered diverse subjects since his early works. Particularly, since 1995, Murakami has opened his eyes to social problems, even discussing the responsibility of Japan for the history of war, and he has been fulfilling his responsibility as a global novelist. It cannot be denied that these diverse elements have been a crucial prop for the universality of Murakami’s literature. However, behind his universality, Murakami himself notably perceived subculture, the culture of young generations, and it appears that he could attract young readers successfully by adopting this in his work. Even as he is becoming older, he still writes novels with young protagonists. This is possible due to his efforts and challenging spirit not to lose the sense of young generations. Such maintenance of the fresh sense must be the origin of vital energy of his work that enables his creative activities to continue for over 40 years constantly without stagnation.

일본어

本稿は村上春樹の作品が全世界の読者に受容される理由として、氏の作品がグローカル文化コンテンツとして消費されていると把握し、これに対する論証方法として、2000年以前の作品を対象として、各時代別のサブカルチャーの特徴と春樹作品の共通点について調べてみた。 例えば、春樹が10代の時、流行っていた漫画は、氏の初期3部作に登場する様々なイラストに影響を及ぼしたと思う。具体的には󰡔風の歌を聴け󰡕のTシャツや、󰡔羊をめぐる冒険󰡕の羊男のイラストなどがそれである。1990年から2000年まではサブカルチャーの全盛期であり、春樹も󰡔ねじまき鳥クロニクル󰡕において、映画のような視覚的イメージと、ゲームのような仮想世界を導入し、読者の興味を呼び起こした。 勿論、本稿は春樹作品の主題や作品性を無視して、もっぱらこのようなサブカルチャー的な要素だけで、氏が世界的作家になったというのではない。氏は初期から多様な主題をテーマにしており、特に1995年からは社会問題までも視野に入れ、ひいては日本の戦争責任を問うなど、世界的作家としての責務を果しているし、このような色々な要素が春樹文学の世界性を支えているのは確かなことである。 それに加えて、春樹がサブカルチャーを相当意識し、これを作品に積極的に取り入れることによって、若い読者を引き込むに成功したのではないかと思う。年をとっても若い主人公を登場させられるのは、そのような若い感覚を忘れまいとする作家の努力があったからこそできたと思う。このような感覚の維持こそ40年にわたる氏の創作活動が、滞りなく、繋げられる生命力の根源であるといえるだろう。

목차

1. 들어가며
2. 서브컬처의 역사와 하루키 문학
2.1 1990년대 이전 : 팝컬처 시대
2.2 1990년대~2000년대─서브컬처 시대
4. 나오며
参考文献
Abstract
<要旨>

저자정보

  • 조주희 Cho, JooHee. 성신여자대학교 교양교육대학 겸임교수, 일본근현대문학 전공

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