원문정보
The Application and Exploration of Stanislavski's Performance System in Opera Performing Arts
초록
영어
Stanislavski is the first artist carrying out systematic scientific research on performing arts in the world today, and has provided a comprehensive explanation on the most essential issues of performing arts. Founded and developed by Stanislavski, this performing system has exerted impact great and far-reaching on the contemporary art performance system. This paper explores the performing system created by Stanislavski, and analyzes the main contents of the system. It further probes into the role of the system in opera performing and the issue on how to make full use of the system to strengthen its supporting role in the construction of the performance discipline based on the analysis of opera and the current teaching of opera performing arts. Hopefully, the application and exploration of Stanislavski system in opera performing arts will further promote the development of performance art.
한국어
스타니슬랍스키는 공연예술에 대해 체계적으로 과학적 연구를 진행한 최초의 예술가이자 공연예술의 본질에 대해 전반적으로 설명하였다. 스타니슬랍스키는 스타니슬랍스키 시스템의 창립자이며 이 시스템 은 현대 예술 공연 체계에 깊은 영향을 미쳤다. 본 연구는 스타니슬랍스키가 확립한 스스타니슬랍스키 시스템에 대한 검토하고자 하고 그중에 포함된 주요 내용을 분석하면서 오페라와 현재의 오페라 공연예 술 교육을 결합하여 분석한다. 또는 이 시스템은 오페라 공연에서 어떻게 작용하는지를 분석하고, 어떻 게 활용하여 공연학에 도움이 되는 것에 대해 연구하고자 한다. 오페라 공연예술에서 스타니슬라프스키 시스템의 운용과 탐구를 통해 공연예술의 발전을 촉진할 수 있기를 바란다.
목차
Foreword
Ⅰ. Overview of Stanislavski Performing System
1.1. Experience-oriented of the Process at the Beginning
1.2. Interaction between Experience and Expression
1.3. Value the Ideas Revealed in the Work
1.4. Proper Organization of Performing Movements
1.5. The Need to Set up Inner Emotional Support
Ⅱ. the Application of the Stanislavski Performing System in Opera Performing Arts
2.1. Help the Performers for Better Performing Skills
2.2. Motivate the Potentials of Performers
2.3. Performing Study in a More Systematic Way
2.4. Help the Performers to Shape the Character
Ⅲ. Reflection on the Application of Stanislavski Performing System in Opera Performing Arts
3.1. The Need to Deeply Analyze the Opera Works
3.2. Value the Training on Singing and Performing Skills
3.3. Stanislavski Performing System Teaching
Ⅳ. Summary
References
ABSTRACT