원문정보
초록
영어
Aiming to point out the interrelations between the International Summer Courses for New Music in Darmstadt and several composers and performers who were born in China, Hong Kong and Taiwan at different times, this text draws on significant connective networks established by the directors and assistants at the Internationales Musikinstitut Darmstadt with representatives in the 3 countries mentioned during and after the Cold War. Based on documentation from IMD Archiv, this work contributes to the intercultural relations between the “Darmstadt phenomenon” and the “Chinese continent” and enhances the project of internationalization of the Darmstadtian platform devised by the musicologist and journalist Wolfgang Steinecke, who inaugurated the Darmstädter Ferienkursen after the Second World War .
목차
Introduction
The advent of the first Chinese representatives in Darmstadt
The emigration after the cultural revolution in China and the visit of some immigrants in Darmstadt
I - Origin and use of instruments percussion of the Far East.
Conclusion and analytical reflections
References
Joevan de Mattos Caitano - Brief Bio