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The Palimpsestic City as Aby Warburg’s Mnemosyne and Its Influence on Korean Contemporary Artworks

원문정보

Sojung Kang

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초록

영어

This paper considered city as a palimpsest, and at the same time as a Mnemosyne and archive. Mnemosyne has been acknowledged as heterogeneity than linearity, by extension, been activized as an archive operating the reconfiguration of our history. In terms of Mnemosyne, city is close to us, but at the same time, is far different from reality. It is close, because it is based on where we live. But at the same time, it is far different, cause it has a potential to reconstruct our reality. In this context, this study noticed recent artistic practices in Korea focusing Seoul as an archive, and tried to find alternative way of reading cities. Many artworks expressed the process of forget, memorize and reconstruct the memories of Seoul, rather than just memorize them. These memories present various visual variations by being expanded to social memories, recreated and ambiguously juxtaposed with diverse layers of realities.

목차

1. Introduction
2. City as a Palimpsest
3. Collective Memory Embedded in a Palimpsestic City
4. The Similarities between Warburg’s Mnemosyne and Palimpsestic City
5. Artworks dealing with Seoul as a Palimpsest and Mnemosyne
1) The Album of Reminiscence
2) Traces of Trauma
3) Revelation and Reconstruction of the Histories on City
6. Conclusion
References
[Abstract]

저자정보

  • Sojung Kang Researcher / Korea University

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