earticle

논문검색

가시영역 이론을 활용한 관람자 관점에서의 안도 다다오 미술관의 시지각적 분석 - 베네세하우스 미술관, 지추 미술관, 이우환 미술관을 중심으로 -

원문정보

Visual Analysis on Art Museums by Ando Tadao from Visitors’ Perspective Using Isovist - Focusing on Benesse House Museum, Chichu Museum, and Lee Ufan Museum -

황재영, 김민석

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초록

영어

The purpose of this study is to identify the physical and heuristic substance of the characteristics common to the art museums by Tadao Ando from the perspective of visitors' visual perception. The objects of this study were selected as the Benesse House Art Museum, Chichu Art Museum, and Lee Ufan Art Museum in Naoshima Island, Japan, and the spatial analysis technique of 'Isovist along path' was used for visual perceptional analysis from visitors' viewpoint. The characteristics of 'Forced detour', 'Mazeous circulation' and 'Open/Closed' were selected among the characteristics common to the art museums by Tadao Ando, a nd the analyses of 'Isovist along path' were conducted for a ctual visitors' movement paths within the three museums. Then, the results of the analyses were examined to see if they could explain 'Forced detour', 'Mazeous circulation', and 'Open/Closed' respectively.

목차

Abstract
1. 서론
1.1 연구배경 및 목적
1.2 연구범위 및 방법
2. 이론 및 선행연구 고찰
2.1 안도 다다오의 미술관 건축
2.2 경로기반 가시영역 분석
3. 분석방법론 및 분석틀 수립
3.1 미술관 주요 특성과 가시영역 분석지표
3.2 분석대상 미술관에 대한 분석 수행
4. 분석 결과
4.1 강제하는 우회
4.2 미로적인 동선
4.3 개방과 폐쇄
5. 결론
REFERENCES

저자정보

  • 황재영 Hwang, Jae-Yeong. 부경대학교 건축학과 일반대학원 석사과정
  • 김민석 Kim, Minseok. 부경대학교 건축학과 부교수, 공학박사

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자료제공 : 네이버학술정보

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