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논문 발표

영상과 무대 분장에서 보여지는 분장 변화에 대한 연구 - 빅토르 위고의 ‘웃는 남자’ 영화와 뮤지컬 중심으로 -

원문정보

A Study on the Changes in Makeup in Video and Stage Makeup - Focused on Victor Hugo's 'The Man Who Laughs' Movie and Musical -

임소현

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초록

영어

More and more TV shows, movie screens, and stages are produced in various ways. As the choices are widened, quality and perfection of the work must be increased in order to secure a consumer base. The double make-up is an important factor that can determine the completeness and success of the work such as the harmony of the whole and the degree of immersion of the audience. The makeup that changes with TV broadcasts, movie screens, and stages is also becoming more important, and as time goes by, it is considered to be a necessity, not a choice. This is not a deliberate differentiation, but a change when applied to a movie screen or stage. In comparison, however, there was not much research on change when a piece was expressed in video makeup such as TV broadcasting and movies, and stage makeup such as plays and musicals. This study is intended to be helpful to researchers studying makeup or to audiences who require in-depth materials by preferring original works. Therefore, this study looks at the definition and theoretical background of video and stage makeup, and focuses on the works produced by video and stage art through adaptation of novels. Each movie and musical analyzed the differences in makeup caused by the lighting of the main characters, distance, and the actor's body movements.

목차

Abstract
I. 서론
II. 이론적 배경 및 선행 연구 고찰
1. 분장의 정의 및 의의
2. ‘웃는 남자’ 분장 연구
3. 주연 분장 변화 연구
III. 결론
참고문헌

저자정보

  • 임소현 So-Hyun Lim. 동남보건대학교 뷰티케어과 학생

참고문헌

자료제공 : 네이버학술정보

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