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영어

The purpose of this paper is to study the relationship between Dziga Bertov's theory of intervals, and Bernard Tschumi's methodology of architectonic in contemporary architecture. This will provide many interesting perspectives on the intentions and methodologies of each genre, and will further enrich the understanding of each parts. This study analyses these two theory through philosopher, Jacques Lacan's desire theory to represent unconsciousness as an indicator of human behavior. Firstly, Bertov emphasized two features of perception from the viewpoint of camera. The camera's gaze not only gained some sort of autonomy, but also thought that it could provide numerous possibilities for the change of time, so that it could acquire the autonomy of the line of sight. Secondly, because architectectonic exhibits a very similar structural process to the weaving of language structures, it is important to explore not only the visible form of linguistic structure but also the psychiatric mechanism that trespass from the unconsciousness. Such contents means that beyond the form of simple architectonic, there will be an expanding area where the causes and methodologies generate the architecture and also there will be the underlying forces that produce architectural representations (expression, spatial atmosphere, interior space). Finally, Tschumi is showing successful fantastic images of the whole time and space by trans-programming and placing them as in the cross-editing methodologies.