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In the graveyard scene (5.1) of Hamlet, Hamlet, to our surprise, proclaims that he is the king of Denmark: “This is I, Hamlet the Dane!” Hamlet’s dangerous proclamation can be issued only when his individual self is enlarged to the cosmic self. His “the Dane” is a kerygma of his absolute subjectivity as the king of the universe, not just as the king of Denmark. Hamlet’s spiritual odyssey goes through enormous pains and sufferings to the full realization of nothing in the graveyard scene. He perceives the transitoriness and nothingness of conditioned things, including himself, coming to a great enlightenment. It is a heightened moment at which he attains unity between the individual self and the cosmic self, between his microcosmic nothing and the macrocosmic nothing. In perceiving the cosmic nothing, Hamlet’s individual self is forgotten and, because forgotten, emerges in its most powerful form: “This is I, Hamlet the Dane.” His ultimate enlightenment gives Hamlet his new behavioral mode of calm “readiness” and “let be.” Hamlet’s death does not mean that his personal disaster is the real meaning of the tragedy. Instead, his death is the externalized, culminating passing of his individual self into the cosmic self, a kingly serene moment of attaining “one” with cosmic nothing signified by the “silence” of death.