earticle

영어

Lee Chang-dong's film "Burning" is not a narrative based on traditional causal relationships, but rather a pursuit of perceptions and thoughts about depictions and images. Audiences can see the events that occur in movies in their own way, and it is a work that emphasizes the process of thinking rather than the plot. In terms of the Einstein formula, "Burning" is a film that seeks new meanings in a form that is segmented, reconstructed, and unfolded. In this sense, the overall form of this work can be analyzed by Eigenstein as a major concept presented in his montage theory. This article is an attempt to analyze Lee Chang-dong's movie "Burning" with some concepts of Sergej Eisenstein's theory.