초록
영어
Focusing on American/Western point of view and the impact of 9/11 on America(ns), most canonical 9/11 literature emphasizes the trauma suffered by “innocent” America(ns) and the unrepresentability of the event, ascribing the terrorists’ motivations to religion, Islam, while overlooking America’s long-standing political, military, and economic intervention in the Middle East. John Updike’s Terrorist (2006) tries to reject the dominant narrative. In his attempt to reject the popular representations of 9/11 and conceptualize the terrorists’ point of view, Updike creates an allegedly sympathetic homegrown terrorist, eighteen-year-old American-born Arab/Muslim Ahmad Ashmawy Mulloy. However, Updike’s extremely apolitical Arab Muslim American protagonist can neither represent the conflicting social realities of the post-9/11 America he lives in nor offer the historical contexts underlying the attacks. Examining Updike’s representation of an apolitical and good Arab Muslim American terrorist, I explore how Terrorist ultimately reproduces and reinforces the dominant discourse of 9/11—the misplaced emphasis on the role of religion and the historical amnesia regarding the causes of the event.
목차
II. An Extremely Apolitical, Good Arab Muslim American Terrorist
III. Conclusion
Works Cited
Abstract