earticle

영어

Under the national strategic framework of “Belt and Road”, the exchange and integration of Chinese films with geopolitical countries or regions have become a brand-new issue for the research of Chinese films and the development of film industry in the present and future periods. Centering on the mainland of China, Korea and Japan in Northeast Asia as main research categories, it is the core issue of this article to consider how to construct the possibility of the integrated development of Northeast Asian film market under the strategic thinking of “Belt and Road”. From the perspective of the cultural community of Northeast Asian films, it can be seen that Northeast Asian countries are confronted with contradictions such as the one between the inheritance and innovation of traditional culture and the transcendence of culture in the process of modernization. For Northeast Asian films, a narrative art for the general public, the topics such as how to build a symbolic system of its own and explore the possibilities of the transformation from tradition to modernity, how to obtain a new way of discourse management in the conflict between the traditional cultural concept and the modern life context and how to construct the cultural subjectivity of its own will become the core content of the construction of the cultural community of Northeast Asian films. Through the discussion from the three levels of “Chinese-barbarian system----modernity characteristic of Northeast Asian film culture, ethical aesthetics----anti-Hollywood representation of Northeast Asian film culture and humanistic feelings----common value of Northeast Asian film culture in coping with the crisis of modernity”, this article attempts to depict the possible development path of cultural community of Northeast Asian film from “why, what and what for”.