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영어

The summary of the findings in the analysis is as follows. First, the shapes of the faces and chests of 「Hum In Wang」 made by Eunkei and enshrined in the South Gate of Japan and 「Hum In Wang」 engraved at the entrance wall of Seokguram of Korea are compared and analyzed. The forehead of 「Hum In Wang」 by Eunkei has rough muscles and is expressed coercively and exaggeratedly, whereas the chest of Seokguram's 「Hum In Wang」 has beautiful muscles consisting three round parts and is expressed artistically and exaggeratedly. 「Hum In Wang」 by Eunkei looks stronger and gives more coercion with the glaring eyes, rough muscles of the forehead, the high cheeck bones and firmly closed lips. In particular, the image from the chest and abdomen of 「Hum In Wang」 made by Eunkei is understood to have expressed the men's well-proportioned figures through exercise at that time. Second, Natsume Soseki’s point of view about the sculpture arts through 「The sixth Night」 in 『Ten Night Dream』 and that of Jin Gun Hyun which was emerged in 『Muyoungtop』 are compared and the differences of them are examined. Nastsme Soseki expressed a sculptor's performance that transcends imagination that sees the sculpture art as ‘digging out something buried in the tree’, and his nature-oriented point of view through his works based on intellectual capacity. On the other hand, Jin Gun Hyun expressed the sculpture art through anthropocentric angle of art based on a sculptor’s natural gift and excellent skills which need 'Arousing amusement’ and 'Outstanding skills'