나쓰메 소세키 작품에 나타난 근대문명 수용 과정의 갈등과 불안 고찰* ―『夢十夜』「第七夜」를 중심으로―


權赫建, 金泰寬, 朴魯宗

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First, it is appropriate to see the big vessel described in 「The Seventh Night」of 『Ten Nights of Dream』as a steamer, which foreigners and international students took to travel from and to Europe in the Meiji period. Second, we should see the young couple in 「The Seventh Night」of 『Ten Nights of Dream』 as the new generation, who had the education of western modern school after the birth of Meiji. They were playing the piano and singing a song they had learned from Japanese elementary school, showing no interest in others' business. Especially, the piano is considered as an instrument symbolizing the modern civilization like a steamer, since the piano didn't exist in Japan before the Modern Age. Third, in 「The Seventh Night」of 『Ten Nights of Dream』, the main character 「I」 saw that it would be better to be on the ship than to take his own life by leaping from it, even though he did not know where the ship was going. That reveals that there was no other way but to live, embracing the contradiction, conflict, anxiety and darkness of the Modern age, however uneasy and hard it was for him to accept the society, which was becoming modernized and westernized.


 1. 서론
 2. 「第七夜」에 묘사된 큰 배
 3. 「第七夜」에 나타난 갈등과 불안
  3.1. 서쪽에 대한 불안
  3.2. 천문학
  3.3. 피아노
  3.4. 투신자살 이후의 후회
 4. 결론


  • 權赫建 권혁건. 동의대학교 교수, 일본근현대문학
  • 金泰寬 김태만. 동의대학교 교수, 중국근현대문학
  • 朴魯宗 박노종. 동의대학교 전임연구원, 중국근현대문학


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