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영어

As follows is the summary of what the writer has analyzed. First, although the uneasy images expressed in the two works, 「The Eighth Night」in 『Ten Nights of Dream』 and 『Kusamakura』, are different in each, Nastume Soseki wrote the work through a medium of Dream, showing the barbershop is the place where a barber shaves parts around his customers' chins with a razor, which means the barbershop in the Meiji era was a space that gave fear to people and made them nervous. Second, I think that 「The Eighth Night」in 『Ten Nights of Dream』showed strong yearnings for Bean curd sellers, who sold bean curd walking along the streets in the Edo era, and great pities and emptiness about vanishing tradition. Third, it cannot be wrong that we see the reason why there aren't any hulled millet cake sellers in Winter in 「The Eighth Night」in 『Ten Nights of Dream』is that Nastume Soseki wanted to express a great pity about vanishing tradition and yearning for memories of childhood.


As follows is the summary of what the writer has analyzed. First, although the uneasy images expressed in the two works, 「The Eighth Night」in 『Ten Nights of Dream』 and 『Kusamakura』, are different in each, Nastume Soseki wrote the work through a medium of Dream, showing the barbershop is the place where a barber shaves parts around his customers' chins with a razor, which means the barbershop in the Meiji era was a space that gave fear to people and made them nervous. Second, I think that 「The Eighth Night」in 『Ten Nights of Dream』showed strong yearnings for Bean curd sellers, who sold bean curd walking along the streets in the Edo era, and great pities and emptiness about vanishing tradition. Third, it cannot be wrong that we see the reason why there aren't any hulled millet cake sellers in Winter in 「The Eighth Night」in 『Ten Nights of Dream』is that Nastume Soseki wanted to express a great pity about vanishing tradition and yearning for memories of childhood.