earticle

영어

The purpose of this study is to examine ‘capitalist violence,’ which is revived in a movie, through figuring out the life in people of lower classes, and the process that they are adapted to and resist the world in Jia Zhangke's movie titled ≪A Touch of Sin≫. And through this exploratory process, the aim is to inquire into with which trajectory the director Jia Zhangke has implemented continuity and expandability reaching up ≪A touch of sin≫ in a theme dubbed a relationship between capitalism and human life, which had been expressed in his movies such as the existing ≪Xiao Wu≫ and ≪Still Life≫. Considering in conclusion, this study can be said to be a research on how it has been evolved the capitalist violence, which is reproduced in Jia Zhangke's movie ≪A Touch of Sin≫, and Jia Zhangke's view of capitalism, which had been revived in Jia Zhangke's series of the works. Firstly, this paper asks “where does the violence come from?” This paper is explored on the premise that the source of violence rises from the framework of capitalism and human life in the capitalist society. This paper is studied that the shock of the violence is powerful to the lower class because the violence is invisible and symbolic. This paper shows the naked face of modern China by looking at how the capitalism exercised the violence on the people. Secondly, the question is “what kind of device reproduced the violence?” This thesis analyzed the films of Jia Zhangke based on various cinematic devices and cinematic styles occurred in the movies. With the theme of 'violence and evolution of capitalism', this paper tried to present the relationship between the people in modern China and capitalism in Jia Zhangke film in tridimensional way. Regarding the process to illuminate the viewpoints about the capitalism in modern China while looking at the contact points with , this paper tried to study how ‘the evolution of capitalism’ occurred in Jia Zhangke’s films have been changed, which is the perception of Jia Zhangke about the capitalism.