earticle

영어

A Study on Sakiyama Tami’s “UNZYUGA, NASAKI” ;about literal imagination for the succession of the memory So, Myung-Sun I consider literal imagination called the other world appearing in Sakiyama Tamai’s “UNZYUGA, NASAKI” in this paper. First, I clarifies what the writer tried to convey through the process that the narrator who entered the other world passing through the beach boundary between the reality and the other world finally comes to face many bones in ‘Q village’. Then, I analyze the relationship between the other world in the work and the real world. Like the thing which the file which is full of blanks symbolizes in a novel, Sakiyama casts doubts on the history of being recorded and documented. In order to inherit the memories of weathering war, she tries to listen to the voice of other historic others who cannot but remain silent as well as the testimony of the person who survived to succeed to memory of the weathering war. However, those who a narrator encountered in the other world only urge the narrator to remember their existence, they will not talk about themselves. The bones are silent as ever. The possibility is hidden in the substance called ‘Qmr cell’ which the narrator got through physical training in ‘Q village’. It is assumed that ‘Qmr cell’ is extracted only from the truth of the memory that the time of silence of the dead was fostered. The spread of those who internalized ‘Qmr cell’ mean that more people will listen the voice of historic others. Trying to listen to the silent witness's voice is that non-experiences are conscious of the relationship with historic others and continue internal dialogue. Sakiyama's thought of the other world can be said to be a literal method to inherit the memory of war and to understand the historic others excluded from the public history.