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청공(靑空)과 대지를 향한 영원한 노스텔지어 미야자키 하아요(宮崎駿) 론(論)

원문정보

The Eternal Nostalgia for the Blue Sky and the Mother Earth A Discussion on Hayao Miyazaki

박수미

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초록

영어

Hayao Miyazaki, Japanese Animation director, is one of the biggest icons of Japanese pop culture of late 20th century and we can also call him an unparalleled artist of the world. He has been the king of the animation industry for last three decades and still has a enormous influence on that circle even after the official retirement. The things, which make people has a sincere admiration for his works, are not just the excellent technique, interesting stories, charming characters and striking effects, but also internal - philosophical messages. Therefore, I believe we could have another way to understand Japanese society and culture of present days more deeply by looking what he try to tell with his works. It is well known that Hayao has a great longing for blue sky and the mother earth. In most of his works, the hero or the heroine flies in blue sky, sometimes even without any support, and they are usually running on the green grass. What I try to find in this discussion is the meaning of those metaphorical subjects, which are two biggest symbols of his filmography.

목차

1. 서언
 2. 미야자키 하야오와 청공(靑空)을 관통하는 비행의 기호학
  2-1) 일상의 하늘과 공습의 트라우마
  2-2) 아톰의 하늘에 야마토를 다시 띄운 일본
  2-3) 하야오의 청공 - 모두가 아닌 나를 위한 하늘
 3. 대지를 향한 노스텔지어(nostalgia)
  3-1) 치유와 재생의 공간
  3-2) 중력의 얽매임이 없는 땅 - 축소 지향적 국가론
 4. 맺음말 
 <參考文獻>
 要旨

저자정보

  • 박수미 Sumi Park. 문학박사 성균관대학교 강사

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