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논문검색

한ㆍ몽 서사가(敍事歌)의 비교 연구 - 한국의 서사무가(敍事巫歌)와 몽골의 토올을 중심으로

원문정보

Comparative of Korean and Mongolian Epic Song

박소현

한국국악학회 한국음악연구 제36집 2004.12 pp.283-301
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초록

영어

The study figured out the correlation between the Korean epic shaman song(敍事巫歌) and Mongolian epic song. There is a correlation between the Korean epic shaman song and the Mongolian heroic epic song, tuul. In terms of performer, a shaman performs a Korean shaman song but a specialist, tuul ? performs the mogolian tuul. The tuul'? of Oirad clan in the western Mongolia plays a role of musician and he has an ability of augury as well. In a case of Korean shamans, the person who has received an ability of god is called Gansinmoo(降神巫) while the person who has not received it is called Seseupmoo(世襲巫 ), who could be compared to the mongolian tuul ?. According to the result of analysing musically both of the epic songs, The melodic line of Korean and Mongolian epic songs make monotonous progress within an octave to convey definitely their stories but they pursue a natural change in melodies in a way that the basic melody, which is a main motive is changed and expanded. They decorate and emphasize the beginning and ending of a clause by using Sigimsae(시김새 - a kind of trill) of Toeseong(退聲 - a slight descending figuration from the note) and Chuseong(推聲 - a slight ascending figuration from the note) with a diapason of the major second or the minor third of the key.

목차

Ⅰ. 서론
 Ⅱ. 본론
  1. 몽골의 서사가
  2. 연행방식의 비교
  3. 문학적 내용의 비교
  4. 음악적 내용의 비교
 Ⅲ. 결론
 Abstract

저자정보

  • 박소현 Park, So-Hyun. 한양대학교 음악대학 강사

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