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영어

This thesis attempts to reveal historical step on the characteristics and performing repertories of Sadangpae(社堂牌) dismissed in the early twentieth century. They changed three times from formation to dissolution of Sadangpae. The first step that showed its appearance from fifteenth century to sixteenth century. During this period, they showed a similar role with monk as the second Buddhist ritual group. The second step is the entertainment group for offering on seventeenth and eighteenth century. The last, it had existed as a vagabond performing group on nineteenth century. Sadangpae's transformation through the Chos?n dynasty had been influenced by Chos?n's policy for suppressing Buddhism Sadangpae's performance repertories had been also influenced by transfiguration of its characters. At the first period, when Sadangpae showed a similar role with monk as the second Buddhist ritual group, they mainly gave a performance of p?mpae(梵唄, Buddhist chant) and ye?mbul(念佛, a Buddhist invocation). On second period, when it was the entertainment group for offering, the repertories were changed to ye?mbul(念佛), folk songs(民謠). Lastly, folk song was the main repertories during the time of a vagabond performing group.