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〈P'aekkusa〉 of Ayangkumbo(峨洋琴譜) seems to be played in the story of existing 〈P'aekkusa〉 since Chung'guyongon(靑丘永言) period in reducing and choosing it fit for some musical form except 1st Maru of current words in 〈P'aekkusa〉. Like this, 〈P'aekkusa〉 of Ayangkumbo is connected to current words 〈P'aekkusa〉, front parts are omitted, and that musical scale composition have changed. As it became similar to the scale used in Shijo(時調) or Gakok(歌曲) In the other side, scale of 〈P'aekkusa〉 in Ayangkumbo has been preserved but rhythm has been reduced and as many latter parts was omitted, 〈P'aekkutaryung〉 of Yangjoo Byulsandaenory has been made from it and it affects 〈P'aekkutaryung〉 of Pongsan Talchum also. In transmitting process of song, 〈P'aekkusa〉 existing in 19th century, it became today's words of 〈 P'aekkusa〉 affected by Shijo and Gakok and some of it affected by Mnyo became today's 〈P'aekkutaryung〉 of Yangjoo Byulsandaenory and of Pongsan Talchum.