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남도민요의 음악적 특성과 남도인의 정서적 지향 - 전남지역을 중심으로

원문정보

The musical characteristics of folksongs of Jeolla Namdo and the sentimental inclination of residents in Jeolla Namdo

김혜정

한국국악학회 한국음악연구 제34집 2003.12 pp.143-164
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초록

영어

As the way of life that people live exists in diverse aspects, so is the culture. Therefore, approaches from various stands for understanding the culture is needed. This article is to find the musical identity of folksongs among various other cultures of JeollaNamdo and to discuss its universality and distinctiveness. The category of folksongs of JeollaNamdo can be divided into two sections, that is, the geographical category that include a vast area of Chungcheong, Kyungsang, and Jeolla province and the cultural category that uses Yukjabaegitori predominantly. Since this article is written in the position that comments on the universality and characteristic of folksongs of JeollaNamdo, it is most certainly that we are going to use the cultural notion of 'Namdo'. The particularities of folksongs of JeollaNamdo can be traced in Yukjabaegitori. Also, the progressive assimilation of Yukjabaegitori and Kyungtori, the formation of southern Kyungtori and the progressive assimilation of Yukjabaegitori and Menaritori is understood as one of the characteristics that distinguish it from other regions. The 4beat of 3 small beat and the 6 beat of 3 small beat are the universal type of rhythmic structure that occur to a very extent. Especially, the 12 beat of 2 small beat is a particular form of rhythmic structure that can be found particularly around and in Jeonnam region. Besides the musical characteristics as the most influential element in folksongs of 'Namdo', there are some other remarkable elements that influence the folksongs of 'Namdo', i.e. the sounds that reflect life (rough but refreshing tone-color), the manifestation of sentiment in a more active and direct way (emphasizing more on music than lyrics and melodies than rhythms), the various expressions of emotions by women, and the active and voluntary open-hearted acceptance.

목차

Ⅰ. 서론
 Ⅱ. 남도의 개념과 남도민요의 범주
 Ⅲ. 남도민요의 음악적 보편성과 특수성
 Ⅳ. 남도인의 정서적 지향과 음악적 표출
 Ⅴ. 결론
 Abstract

저자정보

  • 김혜정 Kim, Hey-jung. 경인교육대학교 교수

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