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1. The musical characteristics of Jeonbuk hyangje pungnyu When comparing hyangje pungnyu in Jeonbuk area to gyeongje, there is no difference on musical scale but there is a little difference on melodies or pitches of used tones. The difference between gyeongje and hyangje can be definitely found in the melodies of the wind instruments rather than that of the string instruments. In the case of geomungo performance, several performance techniques such as jeonseong, toeseong and chuseong are more used in hyangje, performed in Iri, Jeongeub and Gurye. Also, the melodies of hyangje is more complicated than that of gyeongje since several ornament notes are added and rhythmic patterns are more subdivided in hyangje. When comparing hyangje pungnyu in Jeonbuk area that has been transmitted in Iri and Jeongeub to Gurye pungnyu in Jeonnam area and the pungnyu that has been transmitted by several sanjo players, there are some differences on movement and melodic structures. The rhythmic patterns are similar but triple rhythmic patterns are changed to duple patterns in some sections of Taryeong and Gunak. The pungnyu in Iiri and Gurye are similar to each other but among them that of Iri is more similar to gyeongje. Naepoje is also similar to gyeongje and it is also similar to pungnyu in Iri and Gurye. However, the pungnyu in Jeongeup, performed by Won Gwangho, shows small differences from that of Iri and Gurye. 2. The transmission history of the hyangje pungnyu in Jeonbuk area In the late Chosun period, several yulhoe were organised by middle class people even in countryside and pungnyugaek were spreaded from the middle class to commoners. In the Japanese colonial period, the Julpungnyu was very prevailed. This reason was that many wealthy people organised pungnyu clubs in the situation of political oppression. In such circumstances, they organised yulgye rather than they just gathered in yulbang. Such pungnyu clubs have continued to 1980s in several areas, however, today it can be found in only few areas in Iri and Jeongeup of Jeonbuk area and Gurye of Jeonnam area. The melodies of hyangje pungnyu is not fixed as that of gyeongje. The reason of this is that the holders of cultural asset retain various performing melodies and there are some differences according to each lineage. In conclusion, the hyangje pungnyu had been transmitted with differences and various musical characteristics according to lineages and regions. However, in the recent period such differences and the regional characteristics has been disappeared because of the social intercourse of yulgaek and the interchange of several pungnyu clubs.