원문정보
초록
영어
Gyeonggi Chapga, twelve songs sung in Gyeonggi area, is known to be originated and transmitted in Seoul and Gyeonggi area. While some of the twelve songs show musical feature found in Seodo area, a few other songs possess tonal structure of songs found in Gyeonggi area. This paper analyzes tonal structure of the twelve songs respectively. The approach adopted is called "degree of importance by musical notes". In this approach, duration of each note, frequency of appearance, and the times of application to words of a note are measured for each note respectively in a specific song. The three figures, obtained from the calculation of the three features, are added up together. The total is divided by the number of the features, three here, and the final number will represent the degree of importance of each musical note. A graphic illustration of analysis will provide visual aids to understand the results. The formula is as below : Degree of Importance for musical notes (%) = (Duration of each note + Frequency of appearance + the times of application to words of a note ) ÷ 3 The result based on the analysis method shows : Susimga Tori represents the musical characteristics of Seodo area. Four of the twelve songs - Bangmul-ga, Shipjang-ga, Hyeongjang-ga, and Jeokbyuk-ga - fall into this Susimga Tori. Gyeonggi Tori pertains to musical characteristics of Seoul and Gyunggi area. Three of the twelve songs Pyongyang- ga, Sunyoo-ga, and Dalgeori - has musical features belonging to Gyeonggi Tori. The songs of Jebi-ga and Chulin-ga have musical structure of Susimga Tori in some parts and Gyunggi Tori in other parts in each song. The songs of Yoosan-ga, Chipjang-sa and Sochunhyang-ga shows a combined musical structure of the two regions.
목차
Ⅱ. 연구방법 : 구성음별 중요도
Ⅲ. 경토리와 서도토리의 구성음별 중요도 분석
Ⅳ. 경기12잡가의 구성음별 중요도 분석
Ⅴ. 경기12잡가의 음조직 분석
Ⅵ. 맺는말 : 경기12잡가 음조직의 특징
Abstract