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영어

This thesis examines Chongmyo akhy?ndo 宗廟樂懸圖, or Illustration for the Instrumentation of Royal Ancestral Shrine, made in the early Choson dynasty to study the tradition of Chongmyo akhyon 宗廟樂 懸 which plays Chongrnyo cheryeak 宗廟祭禮樂, one of the representative cheryeak 祭禮樂 transmitted until now. The purpose of this thesis is to analyze the transition of Chongmyo akhy?n found in the early literary sources of the Chos?n dynasty, and to shed light on the meaning of the p'ar?m (eight materials 八音) and the akchang 樂章 that is a kind of song which ate the components of the akhy?n 樂懸 from this analysis. The sound of p'ar?m which was omitted in the Li chi 『禮記』 (Book of Rites) Y?eh chi 「樂記」, P'ar?m tos?l 八音圖說 of Akhak kweb?m which completed the system of correspondence, and from Akhak kweb?m to Sejong sillok, finally, Chongmyo akhy?ndo which koreanized akhy?n are evidence of the independent assimilation of Chinese music theory. The Chongmyo akhy?n made in the early Chos?n dynasty is the result of independent assimilation of Chinese akhy?n. The ideology of Confucianism in Chos?n dynasty that god 神 and human A must be harmonized through music and p'ar?m, and government must be with people closely lies in center of the assimilation process.