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한ㆍ일 유파의 비교 연구 - 판소리ㆍ산조ㆍ노를 중심으로

원문정보

A Comparative study of Korean and Japanese Music yupa

강영애

한국국악학회 한국음악연구 제31집 2002.06 pp.475-497
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초록

한국어

Yupa(유파) is term that use at Korean and Japanese music mostly. I deal with Yupa(유파) which use in Pansory(판소리) and Kayagumsanjo(가야금산조). I study the cause, the concept and the origin about the conflict of Yupa, and also the concept of Yupa and using No(노) in Japan. Pansory(판소리) hands dawn from generation to generation by personal contact according to the area, on the other hand, Kayagumsanjo(가야금산조) transmits a different musical score by performer. In Japan it means that cultural social group which has a constitutional transmission system. Yupa(유파) can classify into three groups. First, Pansory(판소리) is East side(Dongpyon + je) or West side(Sopyon + je), that is to say, divide into a region. Second, Kayagumsanjo(가야금산조) is a master-hand's name plus Lyu(류). (김죽파류, 성금련류) And the last Japan is a proper noun of groups'name plus Lyu(류), like these Kanjelyu(간제류), Konpalyu(콘 빠류), Bosyolyu(보소류), Kongolyu(콘고류), Kidalyu(키다류).

목차

Ⅰ. 서론
 Ⅱ. 판소리와 산조의 유파
 Ⅲ. 일본의 유파
 Ⅳ. 결론
 [참고문헌]
 Abstract

저자정보

  • 강영애 Kang Young-yeah. 한양대학교 강사

참고문헌

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