earticle

영어

In playing Jeongak(正樂) with Komungo, there are Nonghyun(弄絃, vibration), Chuseong(推聲), Toiseong(退聲), Jeonseong(轉聲) and Jachul(自出) techniques with left hand. And There are Sunhoik(順 劃, downward stroke: DaeJeon(大點), Kangjeom(强點), Pyongjeom(平點), Sojeom(小點)) and Yeokhoik( 逆劃, upward stroke: Yeokjeom(逆點, 뜰)) with right hand which holds Suldae(술대). Because techniques change their positions according to the tune of musical pieces, it is required to know techniques and play music with techniques for expressing musical pieces' characteristics accurately. Nonghyun and Toiseong, left hand techniques, are intimately related with the tune of musical pieces so cannot be used on any note. And Suldae technique, right hand technique, plays an important role in determining the flow of musical pieces. In the precondition that because techniques depend on player's study history, physical condition and the character, there may be some deviations from the theory, the range of technique's applications are as following.