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영어

This paper is largely divided into two parts ; the former is "Prism : The colorful movement in musical works" and the latter is "Spectrum : The colors of my musical pieces." The former was presented at the conference for celebrating for the year of the Korean Music in 1994, and is based on the latter. The latter is my portfolio that collects various kinds of atticles that are related to my musical works, which include musical schemes, musical notes, explanations, critiques, related academic papers, bibliographies, information about performances etc. Such works are a social activity for the purpose of explanation on compositional contents and color of my musical pieces. The reason I started this paper with talking about colors is because the color is a visual space whereas the sound is a non-visual space. I think that the color and the sound are spatial-sense. The latter, especially, "Spectrum : The colors of my musical piece" translates the space of the sound into the space of color to be visually perceived. In "Prism : The colorful movement in musical works." talking about orchestration for traditional instruments, compositional techniques of Korean and Western music, modernization, the color of the West, the trends, critiques, philosophy that ate all related to the field of my musical pieces. I discuss the current situation of Korean composition for traditional instruments. Therefore, I see "The colorful movement in musical works" as prism and name the color passing the prism as the spectrum, "The colors of my musical pieces." Also, I number each of my musical pieces in the 'prism' in order so that one can find all information about any piece in the 'spectrum'. "The field of my musical pieces" is my unique territory to harvest something from the nothing. The seed of this is my imagination. The musical pieces is produced only when one's imagination can ramble freely. Therefore, "the color of my musical works" is like a perceivable colors that plays in "my musical field." The reason I collected all the references pertinent to my musical pieces is that a composer should supply all the materials that critics, musicologists and musical historians can fully use for a better understanding of the composer's music. This will eventually make all musical academic areas plentiful.