earticle

영어

Each Sanjo has its own originality, and it has the root of its own teacher. Judging from the investigation of Park Sang Keun's and Ahn Ki Ok's musical genealogy, based on literatures, evidences, and situations, Seong Keum Yeon's Sanjo was influenced by Park Sang Keun, but the Sanjo called Park Sang Keun's style would have to be recognized as Seong Keum Yeon's style of Sanjo. And compared musically with Ahn Ki Ok's Sanjo, Seong Keum Yeon's Sanjo, contrary to the existing results of previous studies, does not seem to have inherited her teacher Ahn Ki Ok's melody, but a common feature of melody can be found only in Kim Chang Jo's Sanjo. It seems that Ahn Ki Ok handed down his teacher Kim Chang Jo's melody directly to Seong Keum Yeon. Therefore, Seong Keum Yeon's Sanjo can be considered as Kim Chang Jo's style of Kayakeum Sanjo. The melody of Seong Keum Yeon's Sanjo is found, little by little, here and there in many movements of Kim Chang Jo's Sanjo. And what is more important, the fact that the Jungjungmori of Kim Chang Jo's Sanjo is very similar to the Kutgeori of Seong Keum Yeon's Sanjo testifies this. The melody which is not a common feature must be considered as Seong Keum Yeon's own melody. This runs counter to the existing claim of literatures and studies that Ahn Ki Ok's Sanjo has something to do with Seong Keum Yeon's Kayakeum Sanjo.